The curtain rises on Monitor Audio’s new Bronze 300 7G!
Monitor Audio has been manufacturing loudspeakers for over five decades now – and it shows. Not in terms of nostalgic looks or trusty old technologies, but in how confidently unassuming the products appear. When you’ve been doing nothing but building speakers since 1972, you develop a keen sense of what really counts. And that doesn’t mean launching a completely new concept every year. Instead, it’s about continuity, reliability, and, ideally, the continuous development of existing strengths. The Bronze series is a great example of this. It has always been aimed at music lovers who are looking for something solid that sounds the part without breaking the bank. The Bronze 7G is in its seventh generation now – and with it comes the new Monitor Audio Bronze 300 7G floorstanding model, which is the focus of this review. The price of around 1,250 Euros per pair seems quite reasonable given what it offers.
Visually, Monitor Audio remains true to itself. The design is typically British – simple, no frills, yet striking. The Bronze 300 7G doesn’t shout out its presence, but it still stands out. The clean edges of the cabinet, the understated proportions and, above all, the attractive walnut-look vinyl wrap create a harmonious overall appearance. It doesn’t look artificial or contrived, which helps it blend surprisingly harmoniously into a variety of living spaces. Those who prefer a more neutral look can also go for white or black. It is remarkable how little this simplicity appears arbitrary. Over the years, Monitor Audio has managed to establish a clear design language that remains instantly recognizable despite its restraint. Not many manufacturers succeed in doing this.
The Bronze 300 also scores points in terms of practicality. Families with small children know how quickly a curious finger can dent the dome of a tweeter –not so with this model. The tweeter is well protected behind an inconspicuous grille, and the low-midrange drivers do without exposed phase plugs. So here, too, there is nothing to press in that you might later regret. The cabinet itself stands on solid supports that not only look good but also make sure the floorstanding speaker will be hard to topple once in place. The spikes can be easily adjusted from above – a small detail that makes a noticeable difference when fine-adjusting the speaker and is simply convenient in everyday use. On carpet, tile, or parquet flooring, the Bronze 300 7G stands securely – without any acrobatic contortions when adjusting it.
Technically, the speaker offers a classic two-and-a-half-way design. The 25-millimeter C-CAM tweeter – with gold coating and waveguide from Monitor Audio – is flanked by two 152-millimeter C-CAM drivers, one of which also handles the midrange. The rear HiVe II bass reflex ports are tuned to 38 hertz, with crossover frequencies at 470 hertz and 2.6 kilohertz. There is little to complain about in terms of performance figures: a usable frequency range from 34 hertz to 30 kilohertz, a maximum SPL of 118 decibels, and a continuous power handling capacity of 150 watts at 4 ohms – that’s easily enough for larger rooms. At the same time, the efficiency remains practical, so that even mid-range amplifiers don’t break a sweat.
One point that shouldn’t be underestimated: the Bronze 300 can be easily integrated into a larger setup. Those who start out with classic stereo can later expand to surround sound – without any compromises in sound quality or appearance. The series offers matching center, rear, and Atmos modules that can be seamlessly connected both visually and technically. This makes the Bronze 300 7G an interesting speaker not only for hi-fi beginners, but also for those who want to keep their options open in the long term. No showpiece, no flashy gimmicks – just a cleanly built floorstanding speaker with a sense of practicality and an eye for everyday use.
The Bronze 300 7G speakers are pleasingly uncomplicated to set up. Although they appreciate some breathing space, around 50 centimeters from the rear wall, the sound remains stable and balanced even when positioned close to the wall. Once the speakers are in place, you’re ready to go.
What immediately stands out is imaging. The soundstage is wide and clear, with voices and instruments having a clearly defined place without sounding artificially inflated. In this price range, that’s not a given—nothing gets lost in the mix, but instead remains surprisingly well differentiated. This becomes apparent quite quickly, especially with vocals. Phil Collins’ voice in “I Don’t Care Anymore” is vividly present in the room, with a slightly rough timbre and pleasant clarity. The driving drums always remain in control without overshadowing the rest. It’s clear that the Bronze 300 feels very comfortable at slightly higher listening levels. Listening at high volumes is tons of fun – almost as if the speakers can’t wait for a challenge. The membranes remain confident, the sound never distorts, and everything remains structured and comprehensible even under pressure.
The bass is always present and blends harmoniously into the overall picture. It doesn’t go ultra-low, but that’s not to be expected in this class – and nothing is missing. The lower range is generously tuned, never intrusive and without unnecessary harshness. This is particularly advantageous in everyday use or during long listening sessions, as nothing is exaggerated or resonates unpleasantly. In the live version of “Mercedes Benz” by Hubert von Goisern, it is precisely this voicing that ensures that the presentation remains natural. The mix of acoustic instruments, vocals, and room ambiance is cohesive and harmonious, with speech intelligibility guaranteed at all times. If you want to add a subwoofer for home theater use, you can do so without hesitation – there is enough space in the low frequency range so that the two components won’t be in each other’s way.
The high frequencies reveal Monitor Audio’s typical voicing: refined, but never intrusive. The C-CAM dome remains controlled and measured, so that even longer listening sessions are not tiring. This is particularly nice to hear in Sting’s “Englishman in New York,” where cymbals and percussion find their place without dominating. The airy clarity is also maintained in the densely arranged middle section – nothing here seems exaggerated or nervous.
Finally, “The Lamb Lies Down on Broadway” by Genesis is a great example of the Bronze 300’s ability to structure: it holds the action together, separating vocals, guitar, and synthesizer well without losing detail. The atmosphere of the recording could be a little more tangible, and the tonal coloration remains somewhat restrained compared to significantly more expensive speakers – but that’s to be expected. You have to take the asking price into account here.
One thing that needs mentioning is that the Bronze 300 7G needs some time. Straight out of the box, they seem a little sober, almost a little stiff. Only after a few days of break-in time do they open up audibly, sounding more relaxed, rounder, and more balanced. This applies to both the bass reproduction and the overall spatial imaging. After about 30 to 40 hours of playback, the difference is clearly audible – so patience pays off.
Conclusion
The Bronze 300 7G is not a speaker for show effects – and that’s exactly what makes it so convincing. It’s well designed, well put together and it sounds more mature than its price would suggest. Its spatial imaging, SPL capability and balanced tuning make it an unobtrusive endurance runner. It’s not a flashy speaker, but one that will give you long-term enjoyment – not least because it’s smart: suitable for everyday use, expandable, robust, and musical. So if you just want to listen to music without getting lost in technical details, you’ll get a lot for your money here. The Bronze 300 7G is – in the best sense – a voice of reason.
Accompanying Equipment
Streamer/music server: Meridian Sooloos | Tapedeck: TEAC V-7010 | Turntable: VPI Prime Scout | Phono preamplifer: Van den Hul The Grail | Integrated amplifier: Krell K300i with digital module | Loudspeakers: Wilson Audio Sabrina X | Subwoofer: Velodyne DD12+ | Rack: Bassocontinuo Accordeon | Router: Fritz!Box 6660 Cable with S-Booster PSU | Cables: Nordost Red Dawn | Switch: tp-link, also with S-Booster PSU
Monitor Audio Bronze 300 7G
Concept: 2,5-way passive floorstanding loudspeaker | Driver complement: 2 x 25-mm C-CAM Gold tweeter with UD Waveguide II, 1 x 152-mm C-CAM bass-midrange, 1 x 152-mm C-CAM bass | Crossover frequencies: 470 Hz, 2,6 kHz | Cabinet: bass reflex with two HiVe II ports | Frequency response (-6 dB, in-room): 34 Hz – 30 kHz | Nominal impedance: 8 Ω | Sensitivity: 88 dB | Recommended amplifier power: 75 – 300 W into 4 Ω, 40 – 150 W into 8 Ω | Special features: Bi-Wiring-Terminal, cantilever feet usable with or without Spikes | Finishes: White, Black, Walnut | Dimensions with feet (W/H/D): 27 x 100,5 x 39 cm | Weight: 15,6 kg each | Warranty period: 5 years | Price per pair: around 1250 Euros
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